There’s a lot of buzz about HD video on DSLR’s. What this misses is that HD video is also possible on most every digital still camera made today, with fewer and fewer exceptions.
When Canon upgraded their venerable PowerShot S-series, they did it in an odd way, the US got the CCD based SX10 which could not shoot HD video, but the rest of the world received the CMOS-based SX1, which could shoot 1080p30 HD video with stereo audio built in.
After several months, Canon brought the SX1 to the US. But those wishing to avoid the CMOS distortions I easily demonstrated in my earlier review were still left out in the cold, despite cameras lower in Canon’s lineup offering CCD-based HD video. Finally, Canon brought the SX20 to market which adds HD video and more megapixels to the camera. Is it a winner? My hands-on will find out.
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While HDV and the move to HD have produced some truly amazing cameras— even in the consumer arena— compared to what was available for many tens of thousands of dollars just 10 years ago, those of us who regularly produce live shows are facing a new hurdle: expensive HD switchers.
I have pointed out how outdated Focus Enhancements FireStore line of recorders had become over the years. Initially, revolutionary, they had become quite dated and wickedly expensive for the technology you received.
You may just want to learn French to really understand (correctly) all the information on this site. I’ve included a little bit of it here, and did my best to straighten out the rough automated translation– but all of this is just one section, of FOUR.
Marshall Levy, who wrote our