Consumer Digital Still HD video shoutout.

If you can get a consumer camera that shoots HD for just a couple hundred bucks, why not load up on the cameras and get multiple angles of an event for next to no cost. Plus, you can move them around easily, perch them in unusual places and you don’t need a half-dozen video camera operators. Sounds great, doesn’t it?

Well, the reality is that the rolling shutter CMOS image distortion in video cameras is just as prevalent in digital still cameras. You can easily see it when you bounce the camera up and down lightly, or pan the camera side to side. Things that you naturally do when you are recording video with the camera in your hands instead of on a tripod. These motions distort the image from what really exists in reality. Camera flashes are partially bad- partially illuminating multiple frames. When you play that back, it looks completely unnatural.

To quantify these CMOS distortions, I secured two brand new digital still cameras that shoot HD video and pitted them side by side in some critical tests and the results clearly demonstrate the difference between CMOS and CCD when it comes to capturing video that faithfully represents what happened.

Ya get what you pay for.

A good friend of mine, and fellow video pro, asked me:

By the way, EventDV is going all paid and digital?
I’m dropping my sub, don’t know about you.  

Well, The other mags are considerably thinner. I literally blew through the “NAB” issue of DV in 10 minutes- including reading the editor’s letter and several of the ad pages with products I hadn’t seen before. As ad revenues are down, it’s hard to pay for a gaggle of talented pros to spend hours, or even days testing, reviewing and writing. So articles get shorter, or thinner, or disappear altogether.  

So is $2 an issue is really worth it?

Smaller, More Powerful Computers.

As computing becomes ever more powerful, and “Netbooks” offer mobile computing power on the road with low-power chips, diminutive boxes with powerhouse capabilities are not only inevitable- they’re already here. While home theatre machines may be a “hobby” to some electronics companies, others are taking it seriously and offering some horsepower under the hood…

Is a digital still camera’s “HD Video” for real?

Just in for review and testing are the brand-spankin’ new Canon SX1 IS and the SX200 IS digital still cameras.

Both of these “super zoom” cameras also shoot HD video… BUT the 10 MP SX1 shoots 1080 with a CMOS sensor, the 12 MP SX200 shoots 720p with a CCD. I’ve spoken about “sensor issues” with the imagers in these cameras before. For comparison, I also have a Canon S2 IS  that seems to be about a stop to two stops faster with its larger, 5 MP, SD video, CCD chip. 

Which camera shoots better video… this is what I intend to find out in the coming days.

Secret MacBook Upgrade = FW400 & nVidia!

Apple sure pissed off a lot of Macintosh users when the addressed the key limitation of their MacBook computers- namely the shared graphics processor- when Apple introduced the unibody MacBook… and completely removed the FireWire port. This made the new MacBooks completely unable to import DV or HDV footage from almost every such camcorder and deck on the market because they all do so over one interface: FireWire.

Well, perhaps Apple has actually listened to their customers this time and provided this same powerful graphics capability in their polycarbonate $999 MacBook, which still has FireWire 400.

Apple says: Firewire be gone!

As I watched Apple revise the MacBook line with graphics performance that trounces the integrated Intel graphics, I began to think that the MacBook could well be the mythical mid-range desktop machine we’ve been waiting for- dual core, powerful graphics chipset capable of Dual-link DVI output, all the ports on the “back” & optical drive on the front… Plus the nifty ability to pick it up and take it with you!

No longer hamstrung by the Intel integrated graphics chipsets, this powerful new Mac could be had for just $1299… but there’s one BIG problem…

WIP: Alaska Video / Camcorder Review

It’s tough keeping a blog going when you are busy with projects and one of those projects takes you up one of the loneliest highways— the Dalton Highway, up to Prudhoe Bay / Deadhorse, Alaska, where the oil is pumped for the Alaska Pipeline.

I was re-shooting an episode of IEBA’s Alaska outdoor adventure series, Wilderness Adventures Off The Beaten Path and shooting it in HD. That’s full HD, not HDV.  But using two different high-end consumer camcorders and writing about it for Event DV magazine. 

Focus’ FS-5 looks good!

I have pointed out how outdated Focus Enhancements FireStore line of recorders had become over the years. Initially, revolutionary, they had become quite dated and wickedly expensive for the technology you received.

Now, six months after I compared the FS-4 to a glorious Archos portable video recorder, Focus Enhancements showed off their forthcoming FS-5 which addresses many of the issues I brought up.

The Sounds of Inevatibility.

Agent Smith said:

“You hear that Mr. Anderson?
That— is the sound of inevitability…
It is the sound of your death…”

As I was unable to attend NAB in person, I read the same news as everyone else and there are clearly a few trends that it pays to notice because they will have a dramatic affect on production in the future. Whether or not you want to go this route, the sounds of inevitability are becoming louder.

Incredible Sony Z7 information!

You may just want to learn French to really understand (correctly) all the information on this site. I’ve included a little bit of it here, and did my best to straighten out the rough automated translation– but all of this is just one section, of FOUR.

So without further hesitation, here’s the Sony HVR-Z7 as you’ve not yet seen it (in English):